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Bob Desmond and his 4 homage guitars

My visit with Bob Desmond – Orlando, FL – April 24, 2018

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Towards the end of April, I was getting tired of the persistent cold in the NorthEast, looking for a reason to go South (like the birds), visit a friend, play some golf and meet with Bob Desmond at his home and workshop.  He’s been to my home 3 times, never me to his, so boom, here’s my chance.

Turns out to be a wonderful thing to have some limited freedom to travel, and re-connect with great people.  I spent a Tuesday morning with him, then a Thursday morning having a great breakfast, then back to his workshop.   I spent over 4 -5 hours with him, re-discovering what an amazing luthier he truly is and how he has been underrated for a long time.  His time with various luthiers including Manuel Velazquez go unnoticed and unrecognized.  What is recognized is how amazing his guitars are within the traditional techniques of modern lutieria.  They are mindful of the greatest guitars from the likes of Bouchet – Friederich and Hauser and of course the great Manuel.  What is most incredible, is that in spite of the shoddy treatment received by the family, he has nothing but extraordinary things to say about the son and the father, and how grateful he is for the time spent and the knowledge learned.  He has an archive of information on Manuel V. that would and could fill an hour or two long documentary, including photographs and video.

People don’t get it.  Bob is so very kind, and very appreciative of the finer, more important issues, while not being even remotely petty.  He is so knowledgeable, so skilled, it belies his own quiet demeanor.  Much respect, Bob, much respect.

Among other things unknown, Bob spent the time building a railroad in his backyard.  Really very cool, especially for the nerd in me, much like Sheldon Cooper, who’d have flipped his own ornery lid to see such a thing snaking around the gardens and the pool, with bridges, connections, lights and sound effects.  Hysterical and very cool.

Back to guitars, Bob showed me 4 guitars he’s building, each a homage to the great Hauser II – Bouchet – and Friederich and then of course his very own build. You’ll see the photo below with Bob standing in front of them.

He then allowed me to inspect and play 2 very special guitars that he owns.  Historically significant, I’m not going into more detail than that as I don’t have Bob’s permission to do so.  Very cool however.  Most definitely, very cool.   One photo below, you can guess the guitar from the headstock.

I then got the chance to play 4 guitars of Bob’s that he spent a very difficult 3 years minimum building (time issues for various personal reasons) that came out magnificently, including a Steinway Guitar, built from the soundboard of an old Steinway piano, and then among other standouts, the Pearl Beauty II which is simply superb!  Photos below

Photos in the gallery section of the site (haphazardly thrown in below), it was just a very good time for me and most informative.  It bears repeating…much respect, Bob.  Rich

My trip to Rome and the 2018 Roma Guitar Expo

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Hello Everyone!  Thank you kindly for taking the time to read my blog, which in essence, I feel is a personal and professional journal and possibly diary, if you will.     You are all most kind to take such interest.

OK, Rome and the Roma Guitar Expo.  Honestly, given the time constraints of being away and traveling for 5 days, I was not looking forward to it.  It was almost fully paid for by the Italian Trade Commission, yet, I’m wondering, “how do I manage the time”?  You may find that odd?  How could you not want to go to Italy?  Well, you have to see it from my point of view.  I am this business, and as professionally as I run it, it’s all still very personal to me.  In the end, people want to speak with me and only me.  I get it.  I would want the same.

All I can say, in the end, I’m very happy I went.  Yes, I was shut down for 5 days, but it was worth every minute.  Allow me to explain.

The first thing you realize when you arrive in Rome is that the air and the light is very different. now, I’ve been ​to Rome, Italy and much of Europe many times​. ​What floor​s​ is me is that as I get older, my appreciation​ ​​for ​the Finer Things in life, the art, the culture, the architecture, and in general the Artistry of the European people is simply staggering.

​O​riginally, the coordinators of the Roma ​Guitar Expo​ (wonderful people by the way), ​put me in a beautiful hotel in a town called​ Collotino, just outside of Rome proper. As nice as it was, I felt removed from the city of Rome, moving my accommodations on my own the following day to a beautiful and quaint hotel in the center of the city, with the help of my good friend, Nicoló Alessi of the Tuning Machines fame. Good choice. I immediately felt more connected to my environment, from many different angles, personally, culturally, and professionally.

Fontana-di-Trevi

Fontana di Trevi

​A​fter settling into my room and putting my things away,​ I took a ​2 hour​ stroll around the city, checking out the venue location, ​ ​having a chance to see some of the more immediate attractions including the Fontana de Trevi – The Colosseum – The Spanish Plaza and knock me down the Plaza Venezia. These are quite literally “Holy Shit” moments for anyone of normal sanity (which I know is questionable for me personally LOL).

​The Trevi Fountain was on my way to the Expo from hotel, where I was blessed to see it every day for 4 days.

You can not believe the intricacy, the art, the workmanship, the man hours and the vision it must have taken to conceive of and build such wondrous things.  These shots you see are done on the fly with my phone.  Really, not too bad, overall.  So beautiful!

My main goal, of course, was to see and meet the luthiers of Italy that were in attendance to this wonderful Expo, so allow me to move on to this subject and leave you with, if there is a place to visit in your lifetime, Rome has to be one of these important destinations.  The art, the culture and the food (omg!) are amazing.

Plaza Venezia

My arrival to the Expo was greeted with a brief explanation of what was happening, and right into a conference with the many luthiers, other dealers that were invited from the US, England, and Germany, and the coordinators of the event.  I had to speak to everyone, where quite frankly, I was unprepared.  But, I managed through it, keeping it short and sweet, staying very positive (I say this because it occurred to me that I have spent much time with many people over the years who have criticized other dealers, and I shut my gotdam mouth about it), and then, I thought it important to relay to them all that I was a luthier’s dealer, that I have done their work, that I have repaired and restored over a hundred instruments myself (my hobby when I worked on Wall Street).  I then relayed to them my fondest thoughts, that of working with raw wood and applying shellac to that wood after preparation.  This really got their interest, which I was very happy about, and was the point.  No dealer that I’m aware of actually works on guitars, and quite frankly, I wanted them to realize, to know, that this is how I got started.  It had the desired effect.

Meeting each of the luthiers over the next 3 days was so very special for me.  Playing their instruments for myself, listening to the numerous great players who were in attendance play those same guitars, examining the guitars, handling them carefully (unlike most…yikes, this bothers me to no end to see people being disrespectful with someone else’s guitar), and listening carefully to the voice, the expression, the depth, the lyrical nature of the instruments from each builder, one after the other.  I cannot relay to you how apparently important the voice is to these very special luthiers.

Camillo Perrella - Eugenio Ligato - Giacomo Guadagna - Mario Pistella

Camillo Perrella – Eugenio Ligato – Rich Sayage – Giacomo Guadagna – Mario Pistella from left to right

Never mind the artistry of their work, the meticulous attention to detail.  It has convinced me that Italian luteria is going to be a specialty of mine for the foreseeable future.

I would like to mention the names of some of the people I met and all of the luthiers that I met with during this incredible yet short trip (in no particular order): Dealers: Claudio Zangirolami – David Collett – Manuel Luchena and Miles Roberts.  I particularly enjoyed meeting and speaking with these gentlemen as it is rare that I can find them all in one place.

I ended up having dinner the first night with numerous performers including the great Aniello Desiderio and Luigi Attademo – Massimo delle Cese (amazing players all of them) along with Luthier Paolo Coriani – the amazing Lorenzo Frignani – Nicoló Alessi – and I believe one of the sponsors of the Expo, Massimo di Coste – It was an amazing meal made more so by the incredible people I was surrounded by in the most beautiful restaurant.

Nicolo Alessi on the left and Lorenzo Frignani on the right. Claudio is left behind Nicolo and then Luigi Attademo behind him.  You can see Aniello leaning in behind Luigi

Paolo Coriani on the left front and Massimo delle Cese back right.  Marco Maguolo is here as well as Fabio Zontini back left

Luthiers – Toni De Stefano – Paolo Coriani – Enrico Bottelli – Mario Pistella – Matteo Vaghi (along with the beautiful Federica Canta – a wonderfully expressive player) – Danielle Marrabello – Andrea Tacchi – Camillo Perrella – Luigi Locatto – Lucio Antonio Carbone – Roberto de Miranda – Eugenio Ligato – Giacomo Guadagna – Stefano Brescini – Davide Serracini – Lorenzo Lippi – Fabio Zontini – Silvia Zanchi – Rinaldo Vacca – Alessandro Marseglia – Roberto Pozzi – Mirko Migliorini – Michele Della Giustina – Leonardo De Gregorio – Ennio Giovanetti (I love this guy) – Gabriele Lodi – Rinaldo Vacca – Stefano Brescini – Lorenzo Frignani (there are so many great luthiers and he is a standout) and Marco Maguolo along with my good friend, Nicoló Alessi of Alessi Tuning Machines.

The first night was a concert featuring 9 performers playing the Arcimbolda Guitar that was built by 15 luthiers of Italy.  Each played 2 shortish pieces and it was spectacular.

The 2nd night was a concert with Aniello Desiderio – again, a beautiful and engaging performance.  He played the entire concert with a guitar by the great Alessandro Marseglia – this after another long but fruitful day of meeting with various luthiers and playing their guitars.

The 3rd day and night started with me walking some more around Rome, seeing more sights, then getting back to the show at 10AM.  I met with a ton more luthiers, including Gabriele Lodi and Andrea Tacchi, who had given a lecture/dissertation on the great Robert Bouchet the 2nd afternoon.  Very enlightening, clearly showing his knowledge of the great luthiers of Europe, as evidenced by his own great work, very mindful of the Bouchet and Friederich works.  Andrea surprised me at a local Bar down the road for a quick Espresso, while I was sipping on my own coffee and a quick Espresso of my own.  He came up right next to me, thanked me for my kind and very brief words to him at the show (he’s so well-known, I felt it rude to intrude upon him any further other than to thank him for seeing me and what an honor it was just to shake his hand and play his beautiful guitars).  He then wrote the name and phone number of a great collector of fine instruments down for me on a piece of paper (which I’ll never use, again, he said it was okay but I would never be so presumptuous), of which that piece of paper will be framed and put on my office wall.  What a nice man and don’t kid yourself, a phenomenal creator of fine classical guitars.  A very cool moment for me personally, one I’ll not forget.

OK, so let’s talk about the Italian luthier, as a whole and in general.  Musical.  Expressive.  Tonal Palette.  Lyrical.  Power and Projection.  Almost as a collective, these guitars were incredible.  The Hauser-ish guitars with a beautiful internal and expressive voice.  The innovations from some of these men were outright special.  Some of the power of these guitars was really astounding, and yet, keeping with the lyrical nature, where they played so well even softly.  Gotdam, I’ve re-thought my entire philosophy on the classical guitar being around so many great luthiers and guitars.  I didn’t think it was actually possible to marry power and voice in a CG, but here these guys are kicking it out of the park.

I’ve told them all what I tell every luthier that chooses to work with me and my gallery.  On your terms, no contracts, no exclusives, work with me because you want to work with me.  I will never specify your work, as I understand the artist, the builder, where I want you building that which inspires you.  I will never rush you.  I will never tell you how to run your own business. I will never limit you or put minimums on you.  Send me what you love and when you wish to do so.  It is always on their terms.  You have to understand that these men and women, all luthiers, are builders yet artists.  You cannot tell someone anything or specify a damned thing about what they are doing.  Then it becomes work, and who in the hell wants to actually work for a living?  Their inspiration is what drives them, their innovation keeps them awake, their creations are what drive them, and me or anyone else has the nerve to put a limitation of any kind on them?  Seriously, that would just be downright stupid and ignorant, but there you go, it happens all the time.

I am a luthier’s dealer.  I know their work, I’ve done it.  I know the training they have gone through, the apprenticeship of a decade or more.  The European way of artisanship.  This is to be respected, and rightfully so.  I do their work.  I polish, setup and repair/restore these guitars.  From molding splices to taking them apart and putting them together.  No other dealer that I know of does this or has the knowledge.  I know the guitars through and through, from internal to external inspection, neck angles, bracings, innovations, etc.  I am a luthier’s dealer, plain and simple.

Last point, if I did this for money, I’d have stayed on Wall St.  I worked a lot less and got paid WAY more.  This is about art, music, appreciation of the finer things in life, the more delicate issues, the honest and fair representation of good people who are of the same mind.  My goal wasn’t to make the classical guitar the most popular, but to do it better than anyone else in this business.  The art of representing these men and women as artists, and not to exploit them and or take advantage of the market or my clientele.  I have always said it, and I maintain, that if I take care of the luthier and the client, I’ll be just fine in the end.  The good news is that I sleep just fine taking good care of both sides of the guitar.  OK, enough. I’m very passionate about this, so I’ll end the rant right here.  This is why I love these luthiers.  They’ve married, through their hard work and dedication as luthiers and artists equally, the never ending problem of voice/expression and projection/power.  Plain and simple.  Rather incredible as well.  There you have it, my professional thoughts on the whole of it and these most talented people.

So, the first luthier to commit to my gallery is Lucio Antonio Carbone – my notes on his guitars were simple: Bright, clear, powerful and musical.  He has a Hauser replica that he will send to me in a few weeks that requires no CITES paperwork.  If I remember correctly, he works with Ziricote and Pau Ferro for back/sides and they (all of these luthiers) almost always use Italian Alps Spruce from the Fiemme Valley in the Trentino province located in the Dolomites mountain region.

As of March 26th, 2018, numerous luthiers have committed a guitar to the gallery, beginning a long friendship and collaborative effort to bring the finest Italian luthiers here to the gallery.  I will write a list of those luthiers below as I have time to update.

To all the Luthiers that I have spoken with and am in communication with, I am writing up a Spreadsheet of contact, emails sent, addresses, phone #’s, etc so that I can keep everything organized.  My hope is to continue communications this month, to give and get updates from each of you so that we are all aware of where we stand at the moment.  Thank you kindly and as always, big hugs from NY.  Rich

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Mario Pistella & Giacomo Guadagna

Mario Pistella (left) & Giacomo Guadagna – Jean Luc Picard on the right (I’m told I look like him with short hair LOL)

Liutaio Giacomo Guadagna – has indicated that he will have his Venere Gran Concerto classical guitar ready for our gallery in 5 months

Stefano Brescini is resolving his CITES paperwork and will be sending a guitar to the gallery in the coming year.

Roberto de Miranda is sending a guitar to the gallery.

Eugenio Ligato has also committed a guitar to the gallery.  He will be visiting me in early June 2018

Mario Pistella, another great luthier, very engaging, builds a superb guitar with voice, power and character.  He will be coming to the gallery in the next few months.

I wanted to write down for the record, my short thoughts on each luthier I met:

Lorenzo Lippi is an extraordinary builder as well as teacher – his student instruments exceed much of anything else from around the world.  His guitars are a superior catch in a very large arena.  He is a very serious man and what can I say, I like that!  He will be sending a guitar possibly by the end of May 2018?

Roberto de Miranda builds a very elegant guitar in voice and artistry.  Very nice.  He’s a gentle soul and a wonderful man.

Alessandro Marseglia

Alessandro Marseglia

Enrico Bottelli – seriously beautiful and what a man.  He commands presence much like Lorenzo Lippi.  His guitars do the same, beyond lyrical.

Camillo Perrella – a character, I immediately liked him, and his guitars are innovative, very resonant, intimate to loud.  I wrote, “no problem having him here”.  Pretty amazing what he is able to accomplish.  I’ll speak more about this on his own page when he comes to the gallery.

Lorenzo Frignani – another great man, great luthier.  Very soft-spoken, he carries a big guitar LOL – My notes were simple, “Seriously? Wow!” His guitar is now available in the gallery!  Gorgeous.

Luigi Locatto – another wonderful man, you can see his art and dedication in his eyes.  8 years older than me, the man is a true artist, with a specialty of restoring historical instruments that he can recreate seemingly effortlessly.  His expression and coloration coupled with more than adequate power makes him a standout.

Alessandro Marseglia – a superb luthier and great man, he builds a powerful yet sensitive guitar that is wholly expressive.  I wrote that he is a must have in the gallery.

Toni de Stefano –  has committed to the gallery with his TDS Model with EIRW

Paolo Coriani – has also committed to the gallery in the next few months with one of his concert models

Roberto Pozzi – is getting ready to send a guitar middle of 2019

I’ll keep writing about all of the people I met, but want to do it when I’m fresh and good to go. I’m a bit tired right now and still have other work to attend.  I’ll be back tomorrow.  Rich

I wanted to start this journal entry, so at least I have something to begin with, where I will add to this over the coming days, with photos of the luthiers, the Expo, more sights, etc.  My best and thank you kindly again, for taking the time to read my thoughts.  Richard  631-335-5447

Arcimbolda Guitar

Arcimbolda Guitar

Aniello Desiderio

Aniello Desiderio

Federica Canta & Luthier Matteo Vaghi

Federica Canta & Luthier Matteo Vaghi

Fabio Zontini

Fabio Zontini

Lorenzo Lippi

Lorenzo Lippi

Roberto de Miranda

Roberto de Miranda

Mirko Migliorini

Mirko Migliorini

Ennio Gionnavetti

Ennio Gionnavetti

Lucio Antonio Carbone

Lucio Antonio Carbone

Douglass Scott 2017 Cedar with Bosnian Maple

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Douglass Scott and I have been working together for a while.  His guitars are simply superb.  He just wrote to me today to let me know about the next guitar he’s building for Savage Classical Guitar.  A Western Red Cedar top with Bosnian Maple Back & Sides, featuring a Macassar Ebony strip down the middle of the back.  Fingerboard will also be Macassar ebony to match the back, bindings will be regular black ebony. Head stock, bridge and purfling lines are Amazon rosewood. As per Douglass, ” Will look cool I think and should sound really nice too. Also will have sound port with cover and elevated fingerboard. ”  I agree.  Look at the raw shots below.  Sweet!

The guitar is now available.  You can find the listing here!  Thank you kindly, Rich

2015 Maxwell Sipe Classical Guitar Cedar EIRW

2015 Max Sipe Cedar Classical Guitar Review by Beat Pfluger

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Here is a wonderful email from Beat Pfluger of Switzerland.  He ordered numerous accessories and books besides the gorgeous 2015 Max Sipe Cedar classical guitar from our shop.  It took a day to put together, but it would seem, we did good and Beat is very happy.  Max builds a sweet guitar.  Beat loves it.  What more can you say…Awesome!

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2015 Maxwell Sipe Classical Guitar Cedar EIRW

2015 Maxwell Sipe Classical Guitar Cedar EIRW

Hi Rich,

now it is already more than three and a half week i got the Maxwell Sipe Cedar Guitar
from you, time to give you a feedback.

I would be very excited when I opened the box and case and saw the guitar for the first time
in a perfect condition. It became immediately clear i had Christmas already on Dec 9! 🙂
What a beautiful and amazing guitar!  A REAL GEM!! The last 10 days i had the time to play
a lot on it, it made me very addicitve. I love to play on this guitar than ever before on any
other instrument.

I’m very grateful that i could buy this guitar (and luckily nobody else picked it before…) so
I would like to thank you. Thank you that you offer such great instruments which makes
people a lot of joy! Thank you too for the Music you are writing and arranging. I am very
fond of your style how you play and compose. And thank you for taking your time and
handling my order and questions in a smooth and easy way!

I still listen many times a day the pieces you play with the Maxwell Sipe 2015 Cedar and 2014
Spruce. Thank you for sharing the information about the Sor Op. 35 no 17 D Major.
Are the first part (0.00-1.23 min.) and last part (5.00-5.26) of your playing on the MS Cedar
(151021-max-sipe-cedar-2015) and the one on the MS Spruce (140209-max-sipe-2014-spruce)
your own compositions? What are the names of this pieces? I fear this pieces (and others, easy
playing ones) are not available as sheet Music, or i am wrong? Please let me know…
Otherwise i have to listen many many times and figure it out by myself how to play ;)…..

Rich, I would like to wish you and your Family a happy new year. I hope you were able to take
a break from your work too to relax and spend some time with your relatives.
Wish you good health and good luck in 2016!

Sincerely,
Beat Pfluger

Customer Feedback – Hill Performance Spruce 640mm

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A very nice note from a wonderful gent from California, who is thoroughly enjoying his Kenny Hill Performance Classical Guitar #3848 which is a Spruce w/EIRW and a 640mm scale length – Please see my other Hill Performance Series Classical Guitars

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Kenny Hill Performance Classical Guitar #3848 Spruce 640mm

Kenny Hill Performance
Classical Guitar #3848
Spruce 640mm

Rich,
I just wanted to let you know that this beautiful instrument made the cross country
trip completely intact, and, in a timely manner as you had promised. I had a medical
emergency with my wife, so I didn’t get to pick it up until today, but it was well worth
the extra wait. It is exactly what I was looking for in every way, and I can now make another
check mark on my “bucket list”. I’m sure I’ll get years of enjoyment from this guitar. Heck,
I had a hard time putting it down to write this note!
On a little aside, about 12 years ago I ordered a Taylor 512ce with a wider (7/8″) nut on the
neck. Since this was not standard issue, I had to wait a few weeks for that option. Upon
inspection, I found out that the “born on” date from the serial # happened to be on my
birthday July 9. I always took that as a good omen, and have enjoyed that guitar whenever
I play it. When I unpacked the Kenny Hill, I found the warranty registration card in the
case compartment listing the specifications, including the completion date…if you can
believe it, 7-9-14. What are the chances!
By the way, your “extras” package is outstanding: humidifier, tuner, strings, nail buffer, etc.
This is beyond the call, but nice icing on the cake, that shows that you know how much a
purchase of a fine instrument like this really means to guys like me.

Thanks again for the professional service. I will not hesitate to use you again if the opportunity
arises, and Savage Classical Guitars will receive my highest recommendation.

Rich Hunter
Duarte, CA

Please see my other Hill Performance Series Classical Guitars

Kenny Hill Signature Classical Guitar #3822

By Customer Feedback, Uncategorized No Comments

kenny_hill_signature_3395_cedar_958This note from a nice gent in Illinois who ordered this incredible guitar.

_____

Rich,

Thank you for helping me to acquire this fantastic instrument.  You’re right, anyone who doubts these guitars clearly hasn’t played one. Powerful, sweet, balanced, comfortable–these are some words that come to mind so far.  And the best is yet to come as this beauty opens up and matures.

Take Care,

Greg

 

See our current inventory of Kenny Hill Signature Series guitars.  Usually available in Spruce or Cedar Tops and in 650mm and 640mm Scale Lengths as well.  I try to keep them in stock, but it is not always possible.  They sell fast.

Truth and Honesty in Guitars and heck yeah…the World Wide Web

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Trust and Honesty.  An interesting concept.  It shouldn’t be, but the sad fact remains, it is an oddity in this day and age.  From back in the day, vendors have been spouting their special brand of I invented a new wheel or the better mousetrap, but the sad fact remains that the mouse likes cheese (or is it peanut butter) and his neck still snaps with alarming efficiency from the springy thing on the other side of the piney looking same old same piece of wood and don’t forget, it’s still mighty inexpensive for that boring old mousetrap.  I can prove it  Just go to your old hardware store and look for one.

Why do I bring this up?  An interesting? question or just the need to vent the pressures of a self-righteous bladder?   You decide, though I’m firmly rooted on the latter.  It starts with a rant on marketing and marketing professionals, but finishes nicely, like the Nascar driver who just won Daytona 500 spinning in the winner’s circle, with the showing of some of the seamier sides of the business of classical guitar.  Enjoy.

Let’s see.  Oh yes, I remember (as I pull myself back into my lane without the need of a lane checker in the latest automobiles), I do a lot of SEO work here, especially late at night or early in the AM, while waiting for the java to lick at my synapses and wake my sorry ass awake.  In doing so, I check on the people out there selling their wares, what’s selling, why, how they’re doing it, and so on.  It turns out, I’m really good at what I do, if I don’t say so to my “don’t mind if I do slap myself on the back” self.  btw, SEO is an acronym for Search Engine Optimization.  A process by which you are found on the world wide web by the use of select keywords.  There remain many metrics that go into this optimization, and many that were in practice back in the day.  As it were, from 2002 to about 2012, I had an old fashioned, MS FrontPage web site, that worked really well for me, and in that 10 year span, I built the SEO work up to a very high level.  Lots of traffic, high rankings for specific and useful keywords, and so on.

Then, I had to go and change everything, the website, the IP address, the whole shebangawanga.   Ranking plummeted, my blood pressure skyrocketed, and me and my site went to the crapper without the satisfaction of any excremental release.  Disgusting, I know.  So, and here comes one of the many points on the top of my pointy head, I had to reconcile needing professional help.  Not the psychiatric kind, though not as useless as you might imagine, but the SEO professional kind.  Gods, they promise the moon, but what they really gave me was a supernova of trouble.  Let me explain further.

See, my business, the business of acquiring and filtering through many classical guitars of all prices and timbre, is a highly specialized one, fraught with the danger that, if you do not know what you are talking about, it will eventually rear its ugly veneer job and bite you most unevenly in the ass.  Well, part of these SEO prickjobs job is to write copy for backlinks that will never be seen?  So how did I see it, you ask through the almost probable covering of your mouth through the inevitable yawn?  I searched and found it rather easily.  This pretty little lady, somewhere in the back deserts of Arizona, sitting in her little cubicle working for the “premier” internest (not a misspelling) and marketing firm, wrote copy that went along the lines of, “If you’re looking for the best flamenco guitar store in the world, let your search end with Savage Classical Guitar store, where you can find a capo, classical guitar strings, and repair your classical guitar with one of our knowledgeable people who really understand your guitar”, etc and so on and please god kill me right now on this gotdam spot.

Truth be told, the copy was way worse than the above.  See, if I tried, I couldn’t be as bad as that poor sappy little lady who gets paid to write drivel for a living.  Not to say I’m great, but hey, give me a little casino credit here, it’s all frickin’ relative.   Worse yet, they wormed their way into my backend (wow, that was Freudian…do people even say that anymore), OK, the backend of my web server, my html coding, what have you, and started writing meta tags and scripts that did even worse things to my rankings on the web.   I’ll spare you the techno dribble, but suffice to say, they sent me from page 1 and 2, to page 37, which is the same thing as sailing West before Columbus’ day, where without a doubt, you fell off the gotdam planet.

Nice.

So, since early December 2013, where I realized the problem I was having, I’ve been working on it myself, as much as I can spare the time.  Slow improvement, but let’s face it, and it’s the old adage, if you want something done right, do it yourself.  The thing is, not everyone can do this.  I get that.  My advice is to not trust the marketers.  They are expensive, self-serving, and they hurt your business in the end.  If I had to do it all over again, I would have saddled myself with a poor ranking, and brought it upwards with time and patience.  Not the most glamorous thing, but I wouldn’t have 4,000 wayward backlinks to my site that actually hurt my ranking, instead of helping.  I didn’t do this, the marketers did, in a story starring the get rich quick kid, instead of the slow and patient investor.  Truth and Honesty.  They didn’t tell me the truth, and honestly, they screwed me like a screwdriver without the vodka. Talking of drinks with no punch and segues….

Alas, I buy and sell guitars.  Really nice ones.  I know.  I picked them out of a line-up.  So in my search for why my rankings were so low, and my SEO work so ineffective I see lots of ads for guitars.  One like this….”Amazing quality hand-made guitars Very low prices starting at $750.00.”

Wowie, I gots to check this out.  Turns out they are laminated (which is OK), but not fully disclosed.  They are made in China, but not disclosed.   I’ve seen and played these guitars.  My personal opinion aside about how bad they are, they’ve got a lot of nerve.  But it gets better, as read below….

An infuriating practice.  Build a crap guitar built in China.  Put a $1200 price tag on it, don’t fully disclose it has laminated back and sides, but by all means, say it’s as good as a guitar that costs $7K or $8K.  !!!!!!!!!  Say what?

Really?  You’re honestly going to compare your $1200 laminate to a Kenny Hill Signature, a Bob Desmond, a Frederich Holtier, a Robert Vincent, a Richard Bruné, a Richard Prenkert, etc. ad nauseum ad infinitum?  Seriously?  I’m going to write about this in a separate article some day.  Oh yeah, and I’m naming names.   If you’re curious, I’m not interested in making friends.  I’m far more concerned and interested in people being ethical, honest and doing business fair and square.

I see this all the time.  I get Chinese manufacturers calling and writing to me all the time.  Sure, I’m the big fish they want to score.  In a million years, no way.  When I do come out with my own brand of guitar, it will be built by people that actually know what they are doing.

The one guy I do business with who builds in China, actually goes there, to his partner facility, one week a month, every month, to oversee all processes, the woods used, construction, practices, quality assurance, and so on.  He then has them delivered to his home facility in California, where they are further inspected and then distributed directly by him to his dealers.  I am one of them.  They are the only Chinese made product I will have here in my shop.  Why?  Because they are personally managed by Kenny.  He vets everything and anything to do with the process of building those guitars that he puts his name on.  He builds his Performance Series and Signature Series in Ben Lomond, California, if you’re curious.  Again, the New World Series, built by Kenny Hill, including his Estudio Series and Player Series, are built in China.  Wow, how clear is that?

He prices his laminate model Estudios w/HSC at $895 and his solid body Players at $1695 w/HSC.  You’ll notice that in my listings for Kenny’s Estudio, it actually says, in clear black and white, that the Back and Sides are laminated.  I believe I’m the only dealer to say this clearly in his listings for any and all guitars with laminated back and sides.

Why?  Simple.  No BS, no nonsense.  Solid woods cost a lot of money.  I’m talking quality solid woods.  Have you seen a Player from Kenny Hill.   They are gorgeous.  The Spruces shimmer, the East Indian is straight with a ruddy color, browns and reds, the Cedars have medullar rays, etc.

I could use those woods on a guitar costing twice as much and wouldn’t blink.  You’re not finding that in a $1200 guitar brand new and I apologize ahead of time, because I don’t need to do so.  It’s not going to sound like an $8K classical guitar.  It’s not going to play like it, resonate like it, be musical or lyrical like it.  It’s not going to have world class woods on it, or even decent tuning machines.

Gods, this is surprising?  It shouldn’t be.  Why would a world class luthier bother putting in, I don’t know, 200 or 300 hours into a world class instrument with woods that cost more than your $1200 guitar and tuners combined, when godsmack me in my bloated and disturbed little head, they could just build a Chinese class guitar for $500, ship it, and put a nice HSC on it, and sell it to you thru themselves or a dealer for $1200?  Hot diggety doggy style, why didn’t I think of that?

Get real.  If you want a student level guitar, get one.  Don’t expect it to be $8K worth of sound and volume.  It won’t be.  My title should also include the word “reality”.

The truth is that these men and women, true luthiers, masters of the craft, are horrified by any one moron who would be so simple, so blithe, so ridiculously glib to say that their $1200 guitar built in China is better than or “as good” as that of a master’s luthier made instrument of 200+ hours.  To the point where they can and should laugh their asses off at such silliness of banter.

So, let’s be honest here.  Let’s be truthful.  Let’s be forthright, with zero games, zero nonsense.  People say stupid things all the time, heck, they’ll sell ice to an eskimo, tell them they should pay for it because the water came straight from the mountain springs deep in the Alps (reads came from a water filter made by Brita in my kitchen sink),  but it don’t make it true, and it certainly doesn’t make it right.  You want the straight talk, call me.  You want the nonsense, call our friend in Paraguay who will be happy to sell you a $5K piece of crap with no return policy or people who misrepresent $1K classical guitars as something that sounds “exactly” like a luthier built $8K guitar?  (this just blows my mind).

You can also deal with the guys who think that just because they have a collection of guitars, that this makes them an expert dealer, when clearly they are incapable of handling your classical guitar, setting it up, re-polishing it, shellac work, lacquer work, buffing, repair work, etc.  They truly have zero idea of how to pack and ship a guitar.  These same people have no interest in truly representing a guitar accurately or honestly, with no expertise behind their commentary, regardless of any flowery talk they throw on a site or at you.  They don’t understand the guitars to begin with, but “can speak with expertise”?  Expertise from where?  Fantasy Land?  You can’t even get shipping a guitar correctly.

Basically, I am increasingly upset with what I’m hearing from luthiers and private clientele, how they are treated by the corporate mentality, to the private dealer who has no business being in “this” business.  Crooks, incompetents, thieves (variation of crooks  LOL), inherently deceitful.  From Georgia, to the MidWest to California.   They don’t know how to setup a guitar, polish one, inspect one (I mean inspect it internally and externally), not having the ability to truly assess the condition or viability of an instrument.  But, they will happily up the price of a guitar given exclusives, meaning you can only go to them for the guitar, and happily wop you for an additional 30-50% more for the guitar, because, hey, they have an exclusive?  WTF is that?  More and more, in this business, it is becoming clear, from incompetence, to overpricing, to general bullshit, and I have to say it out loud, I’m freaking tired of it.  But…

Seriously, they make my job that much easier.  I’m good with that, people, keep it up.  As a result, my business increases, the luthiers who wish to work with me keep arriving (defectors from other dealers), and my consignment business has never been better.  So, thank you!  Thank you very much, you make my life better.  But then, there’s the following aspect of the business:

Even better, a lot of people are selling guitars they don’t build themselves, guys in Spain, famous luthiers that you wouldn’t believe, with their dealers in the West or Mid-West, and then whoa, there’s some real special guys, serious assholes right here in good ole America. Christe, some don’t even know what makes a great guitar, or heck, even a decent guitar.  But they’ll tell you they do and sell it to you for $1200, happily taking your money to the bank.  Assholes taking advantage of people who don’t know better, the American way, gone global.

You want the straight scoop.  You want true expertise with a willingness to say, “hey, I don’t know the answer, but I’ll find out for you”.  You want to talk with someone who totally gets you and what you’re looking for, able to listen and understand you perfectly. You want someone who knows the luthier language and can speak to them for hours about their methodology, tricks of the trade and what actually makes a guitar a guitar?   Cool, then call me…talk to me.  I have zero problem outting people that do bad things, in this business or any other.  I’ll talk straight, about anything, because I don’t know anything else.

There, guitar world, from America to Paraguay, to England to New Zealand, I had the balls to say it out loud.   A $1200 guitar from California made in China or a $3000 guitar made in Paraguay (I don’t care what wood they used or how pretty it might be) is never going to sound as good, be built as well, with meticulous attention to detail, as a fine classical guitar made by a world class luthier – a true master who truly knows their shit and costs a helluva lot more than that.  Truth and Honesty with a splash of reality.

Signed – RF Sayage – and imagine what the F stands for – written at the end of the 1st month of 2014 on a Friday morning when I definitely had better things to do.  OK, not better, but more important?

– updated with vim and vigor on March 2, 2017 because I can … ha!

 

Gil Carnal Classical Guitar

Gil Carnal Classical Guitar #133 – 2013 Cedar

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Gil Carnal Classical Guitar

Gil Carnal Classical Guitar #133

Gil Carnal Classical Guitar #133

A nice note from an even nicer gentleman.  Him and I sat for a good portion of a Monday finding him the right guitar and giving him the time and the space he needed to make a great decision.
It’s a note like this that constantly reminds me that I have built the finest classical guitar store on the planet and that I need to keep getting better, and to not ever lay back and be satisfied.
Gil Carnal builds a beautiful and powerful classical guitar and #133 was no exception.
Gil honors the craft and my boutique classical guitar shop with his wonderful creations.
_______
Dated January 9, 2013
Hi Rich,

Thank you so much!! 


Keep doing what your doing! You have simply the best formula for the way people should shop 

for a guitar! My father would be proud of the guitar I chose with your help. Thank you!


I will tell many people about you and the guitars you have! 


Best regards always,

Robert A. Mann
Gil Carnal Classical Guitar

Dec 2013 – Jan 2014 Recording Classical Guitar and Video Updates

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Hi All,

Gil Carnal Classical Guitar

Gil Carnal Classical Guitar #133

A bunch of recordings and videos highlighting the guitars are incoming.  List below, which will be updated thru the course of this month and next.  Enjoy and always feel free to give me a call if there’s a guitar you wish to discuss.  Hope your holiday season is great.  Talk soon.

btw, I’ve lowered prices on many of Manuel Adalid Concert level guitars.  Check it out.  Again, everything is included.  There are no additional costs when you purchase a guitar from me.  Shipping  included, HSC, accessories, all included.  Thanks.

Same with Kenny Hill Signatures.  Priced at $6595 … remember…everything is included, Free Express Shipping, Premium Hard Shell Case, and my complete bag of guitar accessories (numerous and different sets of strings, humidifier, headstock tuner, nail buffer, polish, polishing cloth and so on)

Rich 631-335-5447

Email me

Latest Recording Classical Guitar and Audio Work updated or in process:

Video Work and new recordings are being processed for the following guitars:

Classical Guitar XMAS – A Sale and Contests

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Classical Guitar by Woodley White

Woodley White Classical Guitar – November 2009

Hi All,

First thing is to say Happy Holidays to all my customers, luthiers and everyone that I do business with as a whole!  Merry Christmas.

So, we have a contest going, where I will pick the winner tomorrow morning.  Updates to follow.  (Note that Tim Tyler from Ohio won the contest, where his guitar is scheduled to be delivered on Xmas Eve…sweet).

I put up a Sale over the weekend, as some may have noticed.

10% OFF our already Discounted or On Sale Classical Guitars – Flamenco Guitars or Acoustic Guitars.

The only limitation here is that the guitar’s price must be $3899 or higher.  So, an Adalid Classical Guitar – Adalid Model goes for $4500, I have it on Sale for around $3900, she qualifies for another 10% off.  Minus another $390 gets you down and around $3500-3550 for the guitar DELIVERED!

Free Shipping to the 50US still applies.

USE Code “XMAS10OFF” – just copy and paste the code into your Checkout Page (you’ll see the box for it when you get there).

My prices are NOT adjusted.  The same price that was there last week is there this week.  (I’m too busy to worry about adjusting prices…I have too many guitars…it would take me forever to adjust the prices anyways).  If anything, I actually lowered a few guitars even further, so this is definitely the time to take advantage.

The sale applies to any guitar over $3899.  So…whatcha waiting for?  Call me, or write, or just buy the guitar you’ve been looking at and couldn’t convince yourself to pull the trigger. Pull baby…pull  LOL

Originally, I had this sale running until December 20, 2013.  But, I didn’t understand that this meant the sale was over December 19th at 11:59.  Nice?  Not.

So, I’ve adjusted it forward 2 days, meaning that this Sale is over December 23, 2013 at 11:59PM.

No rain checks, no back dating, no forward dating it.  This pertains to existing inventory in my stock, in hand, priced at $3899 or higher.  I run a sale like this to move out inventory that might be sitting around.   Take advantage of it.  I won’t be running a sale again for a while.  Enjoy and Merry Christmas!

Rich

631-335-5447

rsayage1@savageclassical.com